Curator at Bruce Museum discusses science exhibits, By Andrea Valluzzo—Darien Times— Published 9:00 am EDT, Thursday, June 11, 2020

Dr. Daniel Ksepka poses with a fossil bird at the Bruce Museum that he named, Pelagornis sandersi, the largest flying bird that lived with a wingspan of 21-24 feet.

Dr. Daniel Ksepka is the curator of science at the Bruce Museum in Greenwich and has been helping to weave together new technology and a new vision as the museum undertakes an ambitious project to reimagine its permanent science galleries. From the “Changes in Our Land’’ exhibition that visitors over the last two decades will fondly remember, the museum has begun construction on its new galleries named “Natural Cycles Shape Our Land.” Ksepka recently chatted about his role as a curator.

Andrea Valluzzo: What inspired you to become a curator?

Daniel Ksepka: Visiting the American Museum of Natural History and seeing the dinosaurs when I was a toddler made a lifelong impression on me. Twenty years later I returned to the museum as a graduate student in paleontology. Of course, being a curator involves more than an appreciation of dinosaurs. To me, the most enjoyable aspect is being a storyteller. We build exhibitions around objects, first and foremost, but there are a hundred ways to tell the story both in words and in the exhibit design. It is always very rewarding to put the objects in context. Sometimes one tiny frog gets placed in its own pedestal case, creating an intimate introduction. Sometimes, we have a thrilling specimen like a giant fossil crocodile, and we figure out a layout that creates a “moment” when visitors turn a corner and all of a sudden meet it eye to eye. When it all clicks, it is the most satisfying feeling.

Valluzzo: Tell me about the new science gallery exhibition you are currently developing.

Ksepka: Our theme is Natural Cycles and the galleries explore how these cycles shape our world, starting with global, large-scale cycles like plate tectonic cycles and Earth’s orbital cycles, and ending with the short-term cycles that play out in our own backyards like the day-night cycle of animal activity and insect life cycles.

Valluzzo: For preparing an exhibition, how do you choose objects?

Ksepka: This is a bit of a chicken or the egg question for me. In some cases, I get a flash of inspiration about a theme and so the exhibition inspires the objects. Maybe it’s Madagascar — one of the most incredible places on the planet. Then, it’s time to research objects that fit the theme — a lemur, a pygmy hippo skull and a side-necked turtle. In other cases, I stumble upon an object so compelling it becomes the kernel to build the exhibition around. With “Secrets of Fossil Lake,” we had this gorgeous fossil stingray in the collection and it inspired me to seek out more fossils from the Fossil Lake site to build a whole show.

Valluzzo: How has the pandemic impacted your ability to plan upcoming exhibits?

Ksepka: We have been incredibly fortunate in that progress on the new permanent science galleries has not slowed down at all. Our exhibition artists have been working safely and efficiently from their own homes, and every week I get more photos of the results: a giant spider model (20 times life size) for the Big BackYard Gallery, a painted backdrop for the dinosaur diorama in the Paleontology Gallery and a new plan for the tank layout in the Marine Ecosystem Gallery. Of course, many temporary exhibitions rely on loans from other museums, and almost all museums have been closed for the past two months. We have been making a “Plan A” and “Plan B” for every component of our upcoming exhibitions, sketching out the object checklist for the ideal scenario in which everything is open again by the time the show starts, and a backup plan if a given lender needs to cancel.

Valluzzo: What are the differences curating a virtual exhibit vs. a physical exhibit?

Ksepka: Obviously, things change when you can’t put people directly in connection with the real objects. It can be hard to create those “wow” moments because a 15-foot dinosaur just doesn’t have the same impact when it is a photo on a screen rather than staring you right in the face. So, we definitely look forward to the time when we can welcome guests back into the museum building. That being said, there are a number of advantages to virtual exhibitions. There is essentially no space limit so we can display as many objects as we would like without worrying about building dozens of cases.

Valluzzo: What’s your favorite object in the museum’s collection? Why?

Ksepka: That’s a really hard question, because there are so many that I love. One of my very favorites is a large mineral specimen of aquamarine and muscovite. This was part of a recent donation from Robert Wiener, a great friend of the museum and someone I really enjoy talking to about the wonders of the mineral world. The specimen is such a glorious juxtaposition of the brilliant sky blue aquamarine crystals, which look so cold and clear, with the flakey muscovite, which looks like a cluster of warm, golden leaves. It boggles the mind how something like this can form naturally. I actually like this one so much that I had a T-shirt of it made!

For more information about the Bruce Museum, visit brucemuseum.org.

New Bruce Status Report

An artist’s rendering of the Big Back Yard Gallery, which will combine real insect specimens with giant models to reveal the ways tiny creatures can play a big role in our environment. To learn more about the Cycles permanent science exhibition, please click on the image to view the new website developed by Curator of Science Dr. Daniel Ksepka.

These are challenging times, but we nevertheless remain optimistic about the future. We will get through this pandemic together, and not that long from now we will gather again at the Bruce Museum to engage in culture and enjoy each other’s company.

The Bruce Museum is in this for the long run—our goal is education and delight, around Science and Art. These are eternal values. We need them now more than ever before. In that spirit, we are writing to let you know that the NEW Bruce is still moving forward.  

You may be surprised to learn that Turner Construction Company has been working in the building since early April—with careful social distancing—to renovate the former permanent science galleries, and to prepare for the creation of an entirely new permanent exhibit, Cycles, over the next 14 months. We are also planning a dramatically expanded new permanent installation of the mineral collection—more on that in a few weeks.

•   In February, before the lockdown began, Museum staff removed all the exhibits from the beloved Changes in our Land exhibition and dismantled the cases.

•   On April 6, Turner Construction Company began demolition in the space. Construction of the new space is already well under way.

•   Meanwhile, our Exhibitions Team has been productive, while working at home. Director of Exhibitions Anne von Stuelpnagel continues to coordinate the construction project and oversees design of the new exhibitions. Exhibition Artists Dan Buckley and Sean Murtha are working in their home studios. They have been painting the backdrop to the Jurassic diorama and creating giant insects, almost without missing a beat. See below to view a brief, behind-the-scenes video.

•   Curator of Science, Dr. Daniel Ksepka, oversees the intellectual content of the new exhibition, and developed a new website so you can understand what is planned. It’s fun, surprising, exciting. Follow the link above.

Finally, after taking a long pause from fundraising, we are beginning to ask for support for the NEW Bruce project again. There are desperate social needs in our community and in the world right now—we know that, and we want you to support those. But the NEW Bruce is something positive that we can all dream about, and it’s almost here. Please consider supporting the NEW Bruce. We are so close. Construction of the new science galleries and the new art wing is an investment in our shared future and provides needed jobs right now. There are still opportunities to make a difference, and meaningful naming recognitions available. Your help in getting to the finish line is needed and will matter.

We can’t wait to tell you about what we’ve been doing . . . that’s why we are writing today. We will continue to update you. Follow this link to learn much more about the new Cycles exhibition.

We are grateful that you are part of the Museum family. We are thinking of you during these difficult times. Please be safe and strong.

Robert Wolterstorff

The Susan E. Lynch Executive Director and CEO

The Bruce Museum in Greenwich unveiled its newly renovated art gallery Tuesday, which is part of a $45 million renovation project.

News 12 Connecticut - Click News 12 Connecticut to view yesterday’s broadcast.

The Bruce Museum in Greenwich unveiled its newly renovated art gallery Tuesday, which is part of a $45 million renovation project.

The galleries are just the second phase of the renovation project which began a few years ago.

Museum staff says the restoration is almost entirely funded by private donations.

Science Curator Daniel Ksepka says the museum will begin its third phase of renovations this week beginning with its science galleries.

The third phase is expected to take about a year to complete."We appreciate having the space to tell the stories that we want to tell, and it's only going to get better over the next two years," Ksepka says.

There will also be a new art wing and education wing, which will include a restaurant and a 500-person event room.

The New Bruce campaign will double the size of the existing museum, add state-of-the-art exhibitions, education and community spaces, and enhance the art and science collections and storage areas.